Henry Lamb

Henry Lamb (Australian/British 1883 – 1960) Inscribed l.r.: Edwin John, pencil Provenance The Estate of the artist; Davis & Langdale Company, New York (DLA 3328); Where purchased by Sarah John (1946 - 2024); Bequeathed to the present owner This drawing dates from c. 1913-1915. Edwin John (1905-1978) was the fourth son of Augustus John and Ida and was born in Paris. After a brief career as a middleweight boxer he became a watercolourist. He inherited the estate of his aunt Gwen and did much to secure her posthumous reputation. Henry Lamb was born in Adelaide, Australia in 1883. He studied medicine in Manchester before abandoning it in1905 to train as an artist. At twenty-two he left for London to study under Augustus John and William Orpen at their Chelsea Art School at 72 Flood Street. They held weekly classes in life drawing and painting, still life, figure composition, landscape and decorative painting. He was a talented student and he and John formed a strong friendship. For a while Lamb imitated John’s bohemian manner of dress, wore gold earrings and grew his hair longer. He also began to draw like John. Lamb was a frequent visitor to the John household into 1930s and became close to Dorelia (with whom he had an affair) and to the children who he encouraged to draw. This drawing also has echoes of the work of Stanley Spencer. Spencer (like John) had studied at the Slade from 1908-1912 under Henry Tonks. Lamb and Spencer met in 1913 and were close friends for a while. Another drawing of Edwin from this period was with Piano Nobile in 2024 (Augustus John and the First Crisis of Brilliance, 26 April –13 July 2024, no. 12).

Pencil 26.5 x 18 cm.; 10 1⁄2 x 7 1/8 inches Provenance Estate of the artist (his daughter Henrietta Phipps), until 2000; Davis & Langdale Company, New York, 2000; Private collection, from 2000 until 2023 Exhibited: Davis & Langdale Company, New York, 2000, Henry Lamb: Works on Paper, no. 13 [checklist] This compelling drawing was executed around 1930. Henry Lamb was born in Adelaide, Australia in 1883, shortly before his father moved the family to Manchester, where he spent his childhood. He studied medicine before abandoning this path to be an artist. At twenty-two he left for London to study under Augustus John and William Orpen at their Chelsea Art School. John was a particularly formative influence and Lamb moved to Paris with him a few years later. Lamb spent a couple of summers on the south coast of Brittany, in search of a more traditional way of life. This impulse drew Lamb to Gola Island in Northern Ireland two years later. In London in 1905, Lamb joined the Fitzroy Street Group and was a founding member of both the Camden Town Group and the London Group. He married Nina Forrest, or Euphemia, in 1906 but the marriage proved short-lived. He was friendly with the Bloomsbury Group, having known Vanessa Stephen and Clive Bell from his early days in London, but he often had little patience with them. He was close friends with the eminent critic and biographer Lytton Strachey and between 1912 and 1914 he painted his portrait, now held in the Tate and one of his greatest works. In the First World War, Lamb served as a doctor in the Royal Army Medical Corps in France, Salonika and Palestine; he was awarded the Military Cross. He was not an official war artist but drew extensively and the resulting oils are an important part of his oeuvre. In 1928 he married Lady Pansy Pakenham and moved to Coombe Bissett in Wiltshire. Lamb was appointed an official war artist for the Second World War, making portraits of soldiers and studies of servicemen at work across the South of England. Lamb was elected as an associate of the Royal Academy and a Trustee of both the National Portrait Gallery and the Tate at this time. He was finally awarded full membership of the Royal Academy in 1949. Interest in Lamb’s work has revived in recent years, and he has been the subject of recent exhibitions at Salisbury Museum and Poole Museum. His work can be found in many collections around the world, including the Tate, the Imperial War Museum, the Government Art Collection and the National Gallery of Canada.