Constance Frederica Gordon-Cumming Raldung from Chigaom over Jula

Hindoo Temple, Jubblepore (Jabalpur) Inscribed and dated l.l.: Hindoo Temple/built before the Christian Era/at the Marble Rocks/Jubblepore-/Nov. 30th/69, pencil with watercolour 17 x 35 cm.; 6 ¾ x 13 ¾ inches This temple in Behdaghat, Jabalpur, is a Chausath Yogini Temple, dedicated to the worship of yoginis, specifically honouring female divinity. The circular wall surrounding the temple is decorated by 84 niches in which sculpted yoginis are visible. The artist encountered this impressive site en route to see the famous ‘Marble Rocks’ of the sacred Nerbudda river, In the Himalayas, p 596.

Sunset with the Allegalla and Kaduganawa Peaks from Bellongalla, Bellgodde, Kornegalle Hills Inscribed l.r.: Allegalla and Kaduganawa Peaks from Bellongalla./Bellgodde. Kornegalle Hills, and further inscribed: coffee and with colour notes, watercolour over pencil 35.5 x 50.5 cm.; 14 x 19 ¾ inches The artist stayed with Bessie Farr, whom she met on her journey to Ceylon, who was travelling to her future husband Tom Farr. They lived at Oolanakanda, ‘perched very high on the majestic Allegalla Peak, at the foot of a mighty crag, and overlooking a billowy sea of mountain ranges. …from there we could see in the far distance the other great mountain of Ceylon… “Adam’s Peak”, but to the Singhalese ..the “Sri-Pada’, Memories, pp. 211-212. Bellongalla is west of Kandy, the site of Sri Lanka’s first tea estate.

The Mahavelli Ganga (the Mahaweli River) Signed, inscribed and dated l.l.: The Mahavelli Ganga/Gampola Hill/C.FGC./May 29th 74 and signed by John A Bell and Mary Bell, watercolour over pencil 27 x 45 cm.; 10 ½ x 17 5/8 inches The Mahaweli is Sri Lanka’s longest river. Gampola was Sri Lanka’s capital from 1347 to around 1410. Gampola is about 50 miles west of Colombo.

Signed, inscribed and dated l.r.: Cave on the Island/of Elephanta/Dec 9th. 69 and further signed by another, watercolour over pencil. The artist visited the famous Hindu temple carved into the rockface on the island of Elephanta. Constructed between the fifth and sixth century, the temple is part of the ‘City of Caves’ devoted to the cult of Shiva. For further work by this artist please see the catalogue link and enquire about availability.

Fort Frederick from Trincomalee Signed, inscribed and dated l.r.: Fort Frederick from Trincomalee./Oct. 23 1873/CF.GC and signed by Hugh W. Colombo, Agnes Jermyn, John Campbell and George William …, watercolour over pencil 22.8 x 65 cm.; 8 7/8 x 25 ½ inches The advent of severe thunderstorms caused the Bishop of Colombo to become unwell and he therefore had to abandon his plans to travel from Trincomalee to Jaffna, the northern tip of Sri Lanka. The party embarked on the Government steamship Serendib towards Batticaloa and Galle, in order to return to Colombo as directly as possible.

The Rock of Gibraltar and the Sierra Nevada Inscribed and dated l.r.: Rock of Gibraltar and /The Sierra Nevada/Nov. 1868/C.F.G.C., watercolour over pencil with touches of white 22.7 x 53.3 cm.; 9 x 21 inches

Selsdon Park, near Croydon Signed, inscribed and dated l.r.: Selsdon Park/C.F.G.C./1864, watercolour over pencil 35.1 x 50.5 cm.; 13 ¾ x 19 ¾ inches The house was owned by the Smith banking family from 1809 - 1877. George Smith (1765-1836) and his wife Frances, née Moseley, had fifteen children. Frances (1832 - 1922), the daughter of their second son, Oswald, married Claude, 13th Earl of Strathmore and Kinghorne (1824 - 1904) in 1853; they were the paternal grand parents of Queen Elizabeth the Queen Mother. The artist may have been introduced to Selsdon Park through this Scottish connection. Selsdon Park still stands, although it was significantly altered around 100 years ago, when it was converted into an hotel.

Kandy Railway passing Kaduganawa Signed, inscribed and date l.r.: Kandy Railway passing Kaduganawa/Allegalla Peak-/Turret Rock in the distance./looking S.W./July 26.73/CFG.C. and also signed by Bessie Farr, Thomas Farr and H. Williamson, watercolour over pencil 35.5 x 50.5 cm.; 14 x 19 ¾ inches The artist met Bessie Farr on the voyage out to Ceylon and spent time with her and her husband Tom at their home at Oolanakanda. She wrote that ‘perched at the base of the mighty crag which crowns Allagalla Peak, that home was in a sheltered nook embosomed in fruit-trees, and overlooking such a magnificent view as we may sometimes obtain for a few moments by climbing some mighty Alp, but which few homes can claim as their perpetual outlook’, Two Happy Years, p. 159. The view of the train from their house ‘labouring on its tortuous up-hill course, winding round the steep hillside. It was so far below us that it seemed like a fairy’s toy’. Alagalla Peak is the highest point of the Alagalla Mountain Range, standing at almost 4,000 feet, on the rail route from Colombo to Kandy, in southern Sri Lanka. Eka Gordon-Cumming took this single broad-gauge line train line in the spring of 1874, noting that the uniform gradient while rounding the flank of Alagalla was one in forty five. She spent some time in the area before moving on to Kandy, enjoying ‘happy days and weeks spent exploring many a lovely corner in that vast panorama’.

Badulla from Allugollehella, alias Castle Cumming Signed, inscribed and dated l.r.: Badulla from Allugollehella/alias Castle Cumming/Namamakuli Kanda Range/CFGC-/Aug. 25th 73 and signed by James Whittaker Gibson, watercolour over pencil ‘Badulla, the capital of Uva, a very pretty little town in the midst of a grassy and well-wooded and well-watered plain, about 2,200 feet above the sea-level, and surrounded on every side by fine hills of very varied form. There is a considerable amount of rice culture round the town, which seems like an island crested with cocoa-palms rising from a sea of velvety green’, Two Happy Years, p. 335. Badulla is in southern central Sri Lanka.

Bit of the snowy range from Yakko, Simla Inscribed and dated l.r.: Bit of the snowy Range/from Yakko-/Simla/69, pencil 26 x 36.2 cm.; 10 ¼ x 14 ¼ inches The artist, an intrepid mountaineer, noted her disappointment at the optical scale of this mountain range in her book In the Himalayas. She wrote of how ‘we had expected to find ourselves close to the snows’ and yet saw, ‘peaks of glittering snow, which seem only like crested waves on the sea-line.’ Nevertheless ‘after a while we learned to know and love each line of that picture,’ In the Himalayas, p 299.