Constance Frederica Gordon-Cumming Selsdon Park, near Croydon

Signed, inscribed and dated l.r.: Cave on the Island/of Elephanta/Dec 9th. 69 and further signed by another, watercolour over pencil. The artist visited the famous Hindu temple carved into the rockface on the island of Elephanta. Constructed between the fifth and sixth century, the temple is part of the ‘City of Caves’ devoted to the cult of Shiva. For further work by this artist please see the catalogue link and enquire about availability.

The Rock of Gibraltar and the Sierra Nevada Inscribed and dated l.r.: Rock of Gibraltar and /The Sierra Nevada/Nov. 1868/C.F.G.C., watercolour over pencil with touches of white 22.7 x 53.3 cm.; 9 x 21 inches

Watercolour over pencil 36.5 x 57.5 cm.; 14 ½ x 22 ¾ inches This is a study for a larger watercolour of this subject, which formed part of this collection and is now in the British Library. Adam’s Peak is about 85 miles east of Colombo.

Badulla from Allugollehella, alias Castle Cumming Signed, inscribed and dated l.r.: Badulla from Allugollehella/alias Castle Cumming/Namamakuli Kanda Range/CFGC-/Aug. 25th 73 and signed by James Whittaker Gibson, watercolour over pencil ‘Badulla, the capital of Uva, a very pretty little town in the midst of a grassy and well-wooded and well-watered plain, about 2,200 feet above the sea-level, and surrounded on every side by fine hills of very varied form. There is a considerable amount of rice culture round the town, which seems like an island crested with cocoa-palms rising from a sea of velvety green’, Two Happy Years, p. 335. Badulla is in southern central Sri Lanka.

Kandy Railway passing Kaduganawa Signed, inscribed and date l.r.: Kandy Railway passing Kaduganawa/Allegalla Peak-/Turret Rock in the distance./looking S.W./July 26.73/CFG.C. and also signed by Bessie Farr, Thomas Farr and H. Williamson, watercolour over pencil 35.5 x 50.5 cm.; 14 x 19 ¾ inches The artist met Bessie Farr on the voyage out to Ceylon and spent time with her and her husband Tom at their home at Oolanakanda. She wrote that ‘perched at the base of the mighty crag which crowns Allagalla Peak, that home was in a sheltered nook embosomed in fruit-trees, and overlooking such a magnificent view as we may sometimes obtain for a few moments by climbing some mighty Alp, but which few homes can claim as their perpetual outlook’, Two Happy Years, p. 159. The view of the train from their house ‘labouring on its tortuous up-hill course, winding round the steep hillside. It was so far below us that it seemed like a fairy’s toy’. Alagalla Peak is the highest point of the Alagalla Mountain Range, standing at almost 4,000 feet, on the rail route from Colombo to Kandy, in southern Sri Lanka. Eka Gordon-Cumming took this single broad-gauge line train line in the spring of 1874, noting that the uniform gradient while rounding the flank of Alagalla was one in forty five. She spent some time in the area before moving on to Kandy, enjoying ‘happy days and weeks spent exploring many a lovely corner in that vast panorama’.

Signed, inscribed and dated l.r.: Ruins of the Temple at the furthest/point of Dondra Head. Southernmost point/of Ceylon. CFGC./Nov 7th/1873, and signed by Isabel Lloyd Hill, H Lloyd Hill, Edward Elliott, Mary Emily Elliott, and various others, numbered l.l.: 138A. watercolour and pencil 35.5 x 50.5 cm.; 14 x 19 ¾ inches This was one of many beautiful sunsets witnessed by the artist in Ceylon. Dondra is on Sri Lanka’s south coast, east of Matara.

Watercolour, with a pencil sketch of a house in a landscape verso, on laid paper 11.2 x 13 cm Provenance: William Arnold Sandby; John Manning, London; Private collection, UK until 2017 William Arnold Sandby (c. 1828-1904) was the great-grandson of Thomas Sandby, author of the first book about the artists, Thomas and Paul Sandby-Royal Academicians, 1892, and the historian of the Royal Academy (two volumes of its history published in 1862). He had a large collection of the work of his forebears, helped organise their first exhibition at Nottingham Castle Museum in 1884 and bequeathed many of their works to museum collections.

Signed with initials in pencil l.r.: HBB, watercolour 24 x 17 cm.; 9 ½ x 6 ¾ inches Provenance Pietro Raffo, until 2022 £2200 This watercolour shows the influence of J.M.W. Turner, whose watercolour studies were copied by Brabazon.

Watercolour on laid paper, with exhibition label attached to backboard 15 x 32.5 cm.; 6 x 12 3⁄4 inches Provenance Miss Bostock, companion to Miss H.H. Tatlock, the artist’s granddaughter; Christie’s, 12 September 1941, lot 29; Where purchased by Thomas Agnew & Son Ltd., London; Sold to a private collector 18 May 1942; Private collection, Wiltshire until 2023 Exhibited Usher Art Gallery Lincoln, Peter De Wint Exhibition, 1937, no. 146 Horsemen can be seen in the foreground of this freely drawn, spare landscape, which exemplifies Peter de Wint’s brilliance and delicacy in the laying of washes.

English School circa 1830 The head of a brown cow Oil on paper laid down on panel 9 x 8.7 cm.; 3 ½ x 3 3/8 inches Framed size 21 x 21 cm.; 8 ¼ x 8 ¼ inches Provenance Private collection, U.K.